Tag Archives: filmmaking

14

I can’t believe I let three months lapse without a post. Time. It does fly.

And I can’t help but feel I am in the same place I was a year ago…waiting. The never-ending waiting. Waiting for people to read. Waiting for people to respond. Waiting for schedules to gel so we can calendar a meeting. Then waiting again for a response. “Soon” has become my least favorite four-letter word, right next to “Hope”. Because I’ve reached my quota on “We hope to hear soon.”

People, this is not filmmaking as much as it is filmwaiting.

But that is the process.

It’s been fourteen months since we attached our fabulous Director. He’s back from his gig and ready to make this movie. He is the new me. The one who calls every couple of days to check in, see if there’s word. And I adore him even more for that. I’ve had to take a day job. Full-time behind a desk, as stories try to tear through my skin, unable to write during the day, too exhausted to write at night. He’s the one giving the energetic push now, picking up my slack.

We will make this movie. It’s just a matter of time…and money.

My job as a writer is done for now. Has been for a while. But now, I can wear the shoes of producer. As we go over casting options. Schedule tweaks. Location dreams. We have a great team, the Director, P1 and I. We collaborate. We are fortunate enough to find ourselves on the same page. And when you find yourself on an uphill battle such as making an independent film, you want (and need) partners such as these to help push you along.

There has been progress made. We are quite close. We still have Plans A and B (and, sometimes, C, D and E, too). We just need that phone call to come in to say, “We got it.”

Live and Learn

I only have to hold my breath for another sixty days. Not for funding, but to have the agreement with Producer 2 expire.

While a year-long agreement is standard, I will never enter into another one again. Six months with an option to renew for another six sounds good enough to me. I will also enter into the agreement on the day the person calls to say they want to do the project, not six months after. And, if I do sign any time after day one, I will back date the agreement to that time. Details. They are important, especially when you are talking time. Because, if I had done that, we would’ve been out of the contract back in August.

I will also not enter an agreement that doesn’t come with an escape hatch. By that I mean I should be able to fire you if you are lazy, incompetent, uncommunicative, misleading, useless, ineffective, unprofessional, or cause harm to the project. Now, having said all that, I am not at all implying that Producer 2 is or did any or all of those things. I’m just saying that I didn’t have a clause that gave me the power to terminate the agreement if the work someone was hired to do was not getting done.

I should also mention that I did have not one but two attorneys look over that agreement. They said it looked standard and my rights were protected. I was so in love with the BC team, I never asked the “what if” questions. I never thought about terminating someone if things didn’t go as planned because I never thought that would happen. I never thought that something as simple as a budget would get in our way. I guess you could say I just wasn’t thinking.

However, I would have thought that someone would ask for help with the budget if it became a problem, and that someone wouldn’t tell me everything was fine when I asked how the budget was going, especially if things weren’t fine and the budget wasn’t going. Optimism can blind you…and then turn around and bite you in the backside.

I was told that “these things take time” when I asked what was taking so long. And, because I’m typically a bull in a china shop with no patience, and have come to understand that no one will ever live up to my time lines, I tried to be zen about it. But, come on. I know how long a budget takes to complete, because I’ve done them…okay, that was back in film school, but I have done them. And, I do believe there is software for that now, right? And that it actually links up with FinalDraft to create the budget, correct? Not that it doesn’t take additional skill and knowledge to finesse the budget, but I think you get what I’m saying…no independent-low-budget-talking-heads-movie budget should take longer than two weeks to do. Seriously. I’ve asked around.

I should probably mention that my agent also reps “below the line”, which everyone involved was well aware. So, part of my ire is related to the fact that one phone call would have remedied any situation we were having with the budget. One little call. But all I was told was that things were fine and these things take time.

Can you tell I don’t like being placated?

Eventually, someone else had to come in and finish the budget and schedule. By that time, we lost our Director to another job…well, only temporarily. He get him back at the end of the month. And, thank God he’s loyal to the project because he is the perfect person to helm BC. To think it was a year ago he read the script. We can’t believe it’s been that long. I hate to think of an entire year wasted. But, sometimes, that’s just how it goes.

Perhaps 2009 wasn’t a complete loss, considering all that I’ve learned, especially in the last ten months. One thing I want to stress is that this isn’t personal. I understand that things happen and people make mistakes. (Hello? Who signed an agreement she wasn’t happy with?) The important thing is to take the lesson you are served and move forward with additional wisdom. Or, at least you can learn from my missteps. I’m thrilled that BC still has our fabulous D and the great P1, who is magic and dipped in gold…and has had to suffer the brunt of my frustrations, sometimes at volume 11. Poor, P1. What a saint. And now that 2009 and Hollywood comes to a close, I look forward to a fresh start in 2010…sometime around the third week in February.

And So…

It’s not like there’s nothing happening. There is. But this Coffee is turning into something more like a stew. Something you let simmer for ages and stir on occasion so it doesn’t stick to the bottom of the pot.

Producer 1 is stirring up what he can. If anyone should be up for sainthood, it’s him. Blood from a stone? This cat could find it, get it and package it. It’s all just a matter of time. But, time is something I’ve had my fill of. I want action. Specifically, the Director to call, “Action!” Wouldn’t that be nice? So much more melodic than the cricket chirping I’ve been enduring.

Monday marked the original date we had/hoped to start shooting. Back in February, I believed we could reach that goal. Unfortunately, I can’t turn back time and take over where someone else left off. Lesson learned. Film school really begins once the deal wheels start turning. And, when all is said and done, I will share openly all the lessons I’ve learned from this.

And so, we take meetings, stir interest and hope. This is how every movie begins, I’m told. In spite of the obstacles we’ve come upon, I’m expecting this to end happily.